Gender: Male
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
Source: Wikipedia | Last updated on April 24, 2024
On the name Tito Canepa, Tito means Of the Giants.
The name Tito Canepa is often used as a Male name and is mostly used as a First Name.
Tito is commonly found in Egypt, United States of America, Peru, and 89 more countries.
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At NamesLook, the name Tito is recorded 51,011 times globally, ranking it as the 1,295th most common name worldwide.
Tito is most prevalent in Egypt, with 13,276 occurrences, making it the 428th most popular name in the country.
In Egypt, the name Tito is found among 1 in every 173 people, showcasing its highest frequency there.
| Country | Rank | Frequency |
|---|---|---|
| Egypt | #428 | 1 : 173 |
| United States of America | #917 | 1 : 359 |
| Peru | #369 | 1 : 282 |
| Italy | #924 | 1 : 395 |
| Algeria | #507 | 1 : 469 |
| Colombia | #755 | 1 : 455 |
| Spain | #580 | 1 : 271 |
| Mexico | #808 | 1 : 431 |
| Chile | #466 | 1 : 301 |
| Bolivia | #299 | 1 : 203 |
This chart displays the ranking of the name Tito from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
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